Showing posts with label identity. Show all posts
Showing posts with label identity. Show all posts

Thursday, December 30, 2010

Obsolescence

Obsolescence

As old things wear out, the new moves in.
Is it this way with us, or not?
Linens and towels go to rags, and
Are replaced in sets. What is the new color,
The latest print? If they're made well,
They should last a while.
Obsolesce or obsess, the gap must not endure.

Black on red or red on black, is a question
Of the background taken, but
What is always going, cannot be taken or kept.
It is the pursuit that endures:
Where does it end? The only final mark
Is change, when something is different now.
And now we must be going.


(12/30/2010)

Saturday, May 29, 2010

Knowhow

Knowhow

If birds and
butterflies don't know
the mysteries of life,
how can the poet?
Steel bars know
strength to knit
engineers' bridges wide;
the pen knows its
ink like the clover
knows its green.
The tree knows, too,
the soil undertrod
and how it is
to reach and grow,
and fall, while
stars all know
their own ways
through vastness.
All do.
How is it to be?


(5/29/10)

Wednesday, June 24, 2009

Older poem: "rain song"

rain song


a faint mur-mur over the othervoice rooms,
trickle driz tric murr
soft song of a nother-world
a world of trickle-drizzle sounds
a world far from drylit place

look through clear-glass shield confirms
trickle driz tric murr
coming down with steadybeat wurrs
softandwet beads up where smooth
few dare go past safeguard doors

look at sky – not much to see
trickle driz tric murr
an ocean of grays above me
patting on the tiles – driz purr
sing until the morning sun come


(3/15/1988)

I wrote this poem for my literature class in the 8th grade. I'd dabbled in poetry starting in the 7th grade, and I was very impressed with a few poets we were reading, like Emily Dickinson, e. e. cummings, and Robert Frost.

I can see some features in this poem that make it like a song, and relate to my style as an artist: parallel, almost strophic structure with a refrain tying the three stanzas together and creating a distinct rhythm; occasional use of rhyme, but not following a strict rhyme scheme; playful running together of words to create image-phrase neologisms ("othervoice", "nother-world", "drylit", etc.). It would be interesting to try to set to music.

To me this poem doesn't relate a lot of meaningful feeling or reflection, just some images and sounds of rain and being inside on a rainy night. I think if it is very significant to me at all now it is mainly because my teachers liked it quite a bit, and I felt very self-conscious to stand out like that. I saw myself as an artist, a poet, but felt very sad at the time because that was not really an identity I felt comfortable in. I really did not want to stand out. I wanted to fit in with my age peers and have lots of friends. Needless to say, adolescence is a challenging time. In my case, I remember how I struggled with a crisis of identity mainly centered on who was I going to try to please, my parents and teachers, or my peers. (At the time it did not occur at all that I could follow my own inner voice.) Just for personal interest, I continued to write an occasional poem through high school, but by about the 11th grade had mostly stopped my creative writing. Some time after college, when I was thrown upon the reality of not caring about the kind of work I'd set myself up for, I started exploring my creative interests again.

Monday, April 20, 2009

Transformed

Transformed

I saw a small dog changed into a child today.
Curly doggy hair, now tawny locks
on a quiet little boy,
Shyly resting on the bus seat face down.
Doggy sweater and leash are toddler clothes,
kiddie leash.
This woman is a grandma. I feel silly.


(4/20/2009)